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Chris Hein Winds is an extensive woodwind library meeting the highest expectations in regard to sound, quality, expression and usability. The libraries instruments are based on painstakingly recorded and edited multisamples, with numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought thirty years of sampling experience into this masterpiece, giving the user maximum flexibility and a high level of customization, while maintaining the ease of use.
Chris Hein Winds consists of four individual volumes, also being available separately or combined in a bundled complete version. The library contains a total of 13 instruments: four transverse flutes, three clarinets, three oboes and three bassoons.
Chris Hein Winds focuses on orchestral woodwind sounds maximum flexibility, while maintaining the ease of use. Floete The library is arbitrarily configurable to embrace individual workflow techniques and demands of different producers. The available options and solutions take care of almost every practical application, leaving almost nothing left to be wished for – everything has been thought of! Naturally, the extensive amount of samples is handled by a powerful sample-engine, in this case Native Instruments´ Kontakt Player. Expect a custom tailored user-interface and extensive scripting to respect the specific requirements of the instruments presented.
The instruments can be loaded as elaborated full sample-sets, offering all articulations ready to be played on the keyboard. On the other hand, thanks to the library´s modular concept, significantly reduced versions can be called up to keep load-times fast and memory requirements low. In clean-start configuration, only a sustain-set is loaded into memory. All other articulations and functions demanding additional memory and CPU-load can be loaded with a single click whenever needed. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.
For this library, dry close mic´ing was an intentional decision. All instruments have been recorded individually avoiding any crosstalk. However, Chris Hein – Winds factors in the inevitable interaction of orchestra musicians when creating their musical tone. Therefore, the corresponding musicians where given headphone monitoring, allowing them to play along to the other musicians. Therefore, time-dependent articulations such as Dynamic Expression receive an especial coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.
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