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ERA II takes you to a distant journey, deeper into the medieval than ever. Eduardo Tarilonte, creator of award-winning libraries such as Forest Kingdom, Desert Winds, Epic World and Shevannai, presents the considerably expanded version of the first edition of ERA Medieval Legends.
ERA II offers an even more comprehensive selection of historic instruments. This library holds the perfect instruments for film- and television soundtracks with historical background, fantasy-games as well as folk-music, medieval-rock and related compositions.
For ERA II, Eduardo Tarilonte has created 25 new instruments, resulting in a total number of over 70 instruments, all being recorded in highest detail and quality. In addition, there are a large number of soundscapes available - all ready to be used within the advanced Engine-Player and its generously expanded and specifically optimized user interface
ERA II pursues the goal of capturing the musical atmosphere and sound aesthetics of the medieval, porting these old times into the computer-based production environment. The carefully programmed user interface of the Engine-Player supports easy use of the library, allowing the sounds of ERA II to create inspiration and unfold the musician's full creativity. ERA II is very much like an exciting fantasy-novel, taking musicians and composers to a journey into dark and long forgotten times.
ERA II is well suited for different styles and genres ranging from medieval scores with authentic sounding instruments to fantasy-music, soundtracks and new-age-spheres.
The sounds of ERA II are absolutely unique and cannot be found in any other library. Added is an overwhelming choice of instruments, sounds and soundscapes that provide musicians with a complete sonic compendium for the task that virtually needs no additional sounds.
The instruments in ERA II use extensive multisampling, dynamic layering, diverse articulations, round-robin and true-legato-samples. The library contains 25 gigabytes of sample data including all instruments and sounds of part one.
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