The Avalanche Run was developed with one goal in mind: to take the floating ambient tones of their Dispatch Master to the next level while still keeping it user friendly and refined. Taking you into the aural exploratorium without having to break open the user manual every time you want to open up your inner eye and get free is no easy task. They are using a high powered proprietary DSP platform to recreate all the characteristics of all their old favorite delay and reverb machines while still retaining a simple, yet flexible workspace. It has been a long time coming but well worth the wait! Enough b*llshit, let’s talk about the damn pedal!
The Avalanche Run features an expression jack that can be assigned to one of six different controls using the “EXP” selector switch. It also features Tap Tempo with six different ratios accessed via the “Ratio” selector switch. The Avalanche Run can also be run in “True Bypass” mode or “Buffered Bypass” mode for trails and features 5 different tail lengths including “Infinite” for lo-fi and continuously degrading pseudo-looping.
The Tap switch also has a few other cool secondary functions. While in Normal and Swell mode, you can send the Avalanche Run into self-oscillation by holding down the “Tap” footswitch. In Reverse, mode holding down the Tap switch will flip the delay back into Normal mode and return to Reverse mode once released!
- Time- This controls the delay time and goes from 0ms to just under 2000ms.
- Repeats- Controls the regeneration of the delay, from zero repeats to near infinite.
- Tone- Controls the tone for the delay line only. Roll off highs to the left, roll off lows to the right and get a flat response in the middle.
- Mix- The is the volume control for the delay line. This blends in the wet with dry until 1 o’clock, 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up brings down dry until it is fully wet when all the way up.
- Expression Jack Assign Switch- Use this switch to map the expression jack to one of the assigned controls.
- Decay- Controls the reverb decay length
- R Mix- Controls the reverb mix
- Time- This takes over for the delay time control and is DRASTICALLY different than the interface control. Using the expression pedal to control the time will give you all kinds of wild effects that can not be achieved by turning the knob.
- Repeats- Controls the delay repeats
- D Mix- Controls the delay mix
- Toggle- This takes over for the toggle switch and will cross fade from forward delay in heel down position to reversedelay in toe down position.
- Decay- Controls the decay length of the reverb, short decay counterclockwise, long cavernous decay clockwise.
- Mix- This is the volume control for the reverb. Blends in the wet with dry until 1 O’clock, 1 O’clock to 3 O’clock boosts the wet signal over the dry and 3 O’clock up brings down dry until it is fully wet when all the way up.
- Ratio Selector Switch- Selects delay subdivisions when time is set by the “Tap” switch.
- Both- This is the “standard” delay and reverb mode
- Reverse- This is reverse delay mode with “standard” reverb
- Swell- This is the volume swell mode