Taylor 454ce 12-String Acoustic-Electric Guitar - Natural
Free Shipping
This product ships for free. Click for details
12-String | Sitka Spruce Top | Indian Rosewood Back and Sides | Neo-Tropical Mahogany Neck | West African Crelicam Ebony Fretboard | Expression System® 2 Electronics | Venetian Cutaway | Taylor Deluxe Hardshell Brown Case
Fans of the 12-string sound and the overtone-rich voice of Indian rosewood are sure to be enticed by the 454ce, which boasts a gleaming gloss-finish body to complement its shimmering tone. This versatile Grand Auditorium features back and sides of Indian rosewood paired with a Sitka spruce top, delivering warm lows, clear trebles and a blooming overtone character. Inside, Taylor's V-Class bracing elevates the response with louder volume and longer sustain while improving pitch accuracy all the way up the neck. This acoustic-electric is appointed for the spotlight, featuring Finial inlays in the genuine ebony fretboard, a faux-tortoiseshell pickguard, crisp white binding and an agoya shell rosette. It includes ES2 electronics for faithful, clear plugged-in sound and ships with a deluxe hardshell case.
- Indian rosewood body yields warmth and lush overtones
- Sitka spruce top produces rich projection and volume
- V-Class bracing improves volume, sustain and intonation
- 12-string Grand Auditorium yields rich octave sparkle
- Includes ES2 electronics and deluxe hardshell case
FEATURES

Grand Auditorium Body: Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be Taylor's bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.
Grand Auditorium Body Specifications: Body Length: 20" / Body Width: 16" / Body Depth: 4 5/8"

Indian Rosewood Body Wood: Indian rosewood’s sweeping frequency range at both ends of the tonal spectrum has made it one of the most popular and musically rich tonewoods. Its deep lows can assert a throaty growl, while bright, sparkling treble notes ring out with bell-like, high-fidelity clarity.
Origin: India
Sound: One of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewood’s vintage heritage has helped firmly establish its acoustic legacy. It’s a great sound in part because Taylor knows that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music — certain strains of Americana, for example — rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It’s very consistent, so players can usually rely on it to deliver.
Goes Well With: Most applications. If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with “dark hands”. If you’re looking for a traditional acoustic sound, a rosewood Dreadnought or Grand Auditorium is right up your alley.

Sitka Spruce Top Wood: As a guitar soundboard, or top, Sitka spruce is the tonewood standard of the modern era. It’s used on 85-90 percent of the guitars that Taylor makes. Its combination of strength and elasticity translates into a broad dynamic range, yielding crisp articulation and allowing for everything from aggressive strumming and flatpicking to fingerpicking. Sitka spruce is Bob Taylor’s personal favorite for an all-around great guitar.
Origin: Canada
Goes Well With: All styles of guitars and players.

Expression System® 2: The Taylor Expression System® 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.

Venetian Cutaway: The Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the body. The Grand Concert and Grand Auditorium have a steeper slope, while the Dreadnought is a bit flatter. Taylor's Grand Concert nylon-string models also feature a subtle, flatter slope, while Taylor's 200 Series cutaway models incorporate their flattest slope.

V-Class Bracing: Taylor's patented V-Class bracing is a revolutionary new pattern — a new sonic engine — that marks a major shift away from traditional steel-string bracing patterns. By allowing the soundboard to flex naturally while maintaining rigidity along the center (in the direction of the strings), V-Class helps enhance the volume and sustain. It also creates a more orderly response from the soundboard. Up and down the fretboard, notes are full, true and consistent, with more harmonic agreement. It represents an entirely new design platform that can be adapted to different body styles in different ways to infuse each with a unique sonic personality.
SPECIFICATIONS
General
- Number of Strings: 12 String
- Orientation: Right Handed
- Body Shape: Grand Auditorium
- Bracing System: V-Class Bracing
- Cutaway: Venetian Cutaway
- Color: Natural
- Electronics: Expression System® 2
- Case/Bag: Taylor Deluxe Hardshell Brown
Body
- Top Wood: Sitka Spruce
- Back/Side Wood: Indian Rosewood
- Rosette: Green Abalone Single Ring
- Back Configuration: 2-piece No Wedge
- Body Binding: White
- Armrest: None
- Top Finish: Gloss
- Back/Side Finish: Gloss
Neck
- Neck Wood: Neo-Tropical Mahogany
- Fretboard Wood: West African Crelicam Ebony
- Neck Profile: Standard Carve
- Fretboard Inlay: Faux Pearl Finial
- Fretboard Binding; Black
- Neck Finish: Satin
Peghead
- Nut Width: 1-7/8"
- Peghead Veneer Wood: West African Crelicam Ebony
- Scale Length: 25-1/2"
- Peghead Inlay: Faux Pearl Finial
- Peghead Type: Paddle
- Peghead Binding: None
- Peghead Finish: Satin
Other
- Bridge: West African Crelicam Ebony
- Nut & Saddle: Black Tusq Nut, Micarta Saddle
- Bridge Pins: West African Crelicam Ebony
- Strings: D'Addario XS Coated Phosphor Bronze Light (.010 - .047)
- Pickguard: Tortoise
- Tuners: Taylor Nickel with Nickel Buttons
- Strap Pin: Nickel
- End Pin: Black
Warning: Some of the products purchased at Bananas At Large can expose you to chemicals, which are known to the State of California to cause cancer and/or reproductive harm. For more information go to http://www.P65Warnings.ca.







